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Key Lines: Brian Robert "Strawberry Girl"

4/22/2016

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​Brian Robert writes Americana music that is heavily influenced by the South. His album 1117 Magnolia features a powerhouse backing band and includes a cut where he is joined by Ben Bridwell (Band of Horses). The album’s closer track “Strawberry Girl” with its smooth bassline and restrained drums feels like watching the landscape glisten past from the window of a streamlined locomotive. 

His record 1117 Magnolia, which includes “Strawberry Girl,” is available from 10 Foot Woody Records here. 
​“Strawberry Girl” sounds like a funky song, but the joyful music seems in direct opposition to its bittersweet lyrics. How do you see this tension working in the song? 
​

"Strawberry Girl" was definitely new ground for me recording-wise, I normally do like rocky guitar stuff or acoustic-y quiet stuff, but not funky stuff. I think the tension works out nicely, because I like that the song sounds happy, and I don't have many songs like that.
What was your writing process like for “Strawberry Girl”?
I'd say I had [the music for "Strawberry Girl" for a year or so before I was inspired by a romantic relationship to write lyrics.

How often do you write? Do you keep a songwriting schedule or do you wait to be inspired?
I would say 90% of my writing process is hearing a melody I like and composing a song around that before I get any words down. Then I kinda keep that
"Sometimes I hang onto songs for years before I write lyrics, some ideas expand and some I just kind of let go of after awhile."
song in my pocket—so to speak—and try and fit lyrics based on whatever is inspiring me. Sometimes I hang onto songs for years before I write lyrics, some ideas expand and some I just kind of let go of after awhile. 
​
How does your community of songwriters influence your writing?
There are so many amazing songwriters in South Carolina, they are a constant creative influence and set a high standard.​
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Replay Thursday: Useful Repetition

4/7/2016

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Repetition is one way to keep your audience interested in a song. Many songs rely on the repetition of, if not complete phrases, then fractions of the main hook during their transition from their chorus to their chorus. For instance, if your key chorus line is “and I have to shake my head” you might repeat the line “and I, and I, and I” during your verse. An example might look like:
 
Verse:
 
and when you decide
what secrets to hide
if you’re locked away
with nothing to say
then I, then I, then I  

 
Chorus:
 
Then I have to shake my head
at all the words that you said
after you pulled the curtain
across the sun that was rising
and I, and I, and I
can only shake my head


Not only is there repetition, but there is a slight variation on the key phrase “and I have to shake my head”—the words change from “have to” to “only” these subtle changes lend the lyric more movement and immediacy. It will stick in the mind of your listener as the “Shake My Head” song.
 
Write one song where you 1) repeat the same phrase at the end of your verse and 2) repeat that phrase during your chorus (at least twice). If you write a bridge, put it there, too.

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